PHOTOGRAPHY PROJECT · THE JOURNEY TO AN IMAGE
Sometimes a single house is enough to give a vast landscape its centre. The red wooden building stands beside the water, almost detached from everything around it. Below, the fisherman's house appears again in a reflection that, for a moment, seems just as real.
The longer I stood there, the less important the background became. I wanted to give this one house and its quiet double as much space as possible. Everything unnecessary could disappear from the photographs until only the form, the reflection, and the emptiness between them remained.
The film behind the photography project
In the film, I show how a quiet coastal scene can give rise to different photographs.
The photographic challenges
Light in Transition
Early morning brings soft light, but only for a short while. As the sun rises, harsh contrasts and flat reflections quickly appear. The right window of time determines how calm and restrained the house will look.
The Balance of the Reflection
Long exposures smooth the water, but the reflection should not overpower the house. Too much symmetry makes the image static; too little takes away its calm. The balance between the actual form and its reflection creates the tension.
Images from the project
Five images in which the house tells a different story each time. Light, darkness, and reflection shift the way we see the same form.





The Selected Work
One photograph from this series has its own artwork page, with more room for the story behind the image.
